Not Gold

May 21, 2010

Not Gold

Steam rises from a dormant geyser near Yellowstone’s Old Faithful.


Wild and Rugged Tetons

May 5, 2010

Foramen the Tetons

If you’ve ever been to the Tetons from the last weekend in September to the first weekend in October, you’ve witnessed a beautiful sight. The changing colors anchoring the majestic mountain peaks is amazing. As you might imagine, such a scene attracts scores of people as well. Although the crowds can be very annoying, there is a certain vibrant energy throughout park. Interestingly, by the end of your trip, just as nature’s art display is winding down, so too are the crowds.

As I wandered the river bank alone on the last day of my trip, I came across this bone. Along with the grey overcast skies, it reflected my mood well. Just as the bone represented an end, the vibrancy of the past week too was dissipating. I melancholically procrastinated my departure. At one time, a free ranging animal had passed this way. How its end came, I didn’t know. It also occurred to me that there’s a different side of the Tetons I hadn’t realized before. Notwithstanding the hordes of people that visit the park every year, the Tetons remain a wild and rugged place.


Mountain Runoff

May 4, 2010

Mountain Runoff

Spring runoff swells this normally small, meandering stream. On this particular evening, I had high hopes for an incredible sunset due to all the dramatic clouds. However, by the time evening arrived, all that remained was some rather flat light and no color. But it wasn’t a complete waste. A black and white conversion made things interesting.


Removing Hard to Find Dust Spots

April 10, 2010

Perhaps the most common problem with digital photography is the accumulation of dust spots on the digital sensor. However, not all dust spots are created equally. Some spots are less obvious than others and can be difficult to detect. Here’s an easy way to find the elusive spots.

1) After opening your file, create a new blank layer (Layer>New>Layer…, Click OK). This will create a checkerboard-looking layer.

2) Select the clone tool. I love using keystrokes, so select it by pressing ‘S’. This will open a Clone Stamp menu just below the Photoshop menu. Make sure the Sample menu is set to “Current & Below”.

3) Click on the blank layer and begin normally cloning by sampling an adjacent space near the spot and cloning over the spot. You’ll be painting on the blank layer, but that’s OK since it’s sampling the pixels of the layer(s) below the blank one.

4) Here’s where we go after the subtle spots. Above the “blank” layer (it’s not blank anymore since it contains data from the sampled layers below), create a curves adjustment layer (Layer>New Adjustment Layer>Curves…>. This will create a new layer ABOVE all the other layers. Grab the diagonal line and drag it down. Your image will look horrible, but that’s OK. Continue adjusting the curved line until you see other spots. You can also put another point on the curve and move that around to bring out spot details in the sky; creating an S shaped curve can be quite helpful. Your picture will probably look really horrible by now, but that’s OK.

5) Once you can see the dust spots, click back on the “blank” clone layer. Again, and this is very important, make sure the “Current & Below” sample menu is selected. Begin cloning the other spots. Once done, simply delete the above curves layer. Your picture will return to normal and the elusive pesky spots will be gone.


Content coming soon!

March 4, 2010

I’ve jumped on the blog bandwagon. Periodically I’ll post content here relating to photos, upcoming trips, past outings, etc. Check back for updates.